End of Residency at Restoration House

Nathaniel has just returned to London after giving his final concert at Restoration House where he was artist in residence this autumn. For this final concert he was performing on an 1820’s piano made by Girokowsky in Prague. Along with Agate Daraškaitė and George Ross they presented a programme of Haydn Piano trios

Broadwood 1801

Nathaniel has just been performing on a beautiful original Broadwood piano from the turn of the 19th Century. His next recital will be at the Old Baptist Chapel in Tewkesbury this weekend.

Dalswinton House and Dumfries House

Nathaniel has just returned after a successful recital tour in Scotland performing at Dalswinton House and a trip to Dumfries House to play the beautiful 1770s Kirkman harpsichord housed there. He has been invited to give a recital here next spring.

New Review for Bach - Goldberg Variations - 'an epic performance'

In Nathaniel’s hands, we listen again to a light and shade, not often heard in this genre. His epic performance of the variations is characterised by the clear, controlled accentuation of phrases, and by a refined, reverential shaping of Bach’s loveliest melodies – which appear like rays of sunshine in the often knotty and difficult, more extended passages of the piece. Arguably the greatest moment on the recording is in variation 30, the penultimate part. At just one minute and nine seconds in length, this short final statement (given a broad, noble pace by the soloist) is a triumphant fulfilment for composer, performer and listener. All that has gone before is reviewed and reconciled before we return to the soft breaths of the opening Aria. We have come full circle. And what an experience, both in terms of interpretation and playing, and in the astonishingly clear recording quality. An unreserved recommendation and a nomination for the baroque-era/early-classical-period CD of the last twelve months.’

Stuart Millson is the Classical Music Editor of The Quarterly Review

Full review here

Acamémie de Cour, Japan

Nathaniel has just finished filming a series of 16 teaching videos for the Japanese early keyboard organisation, Académie de Cour. http://cour.php.xdomain.jp

The focus of this set has been on Elizabethan keyboard music where Nathaniel has delved into the music of William Byrd, Thomas Tomkins and Orlando Gibbons amongst others. He was delighted to be working in collaboration with Tom Mungall for this project. https://tommungall.co.uk