"Even if the word surely wasn't invented for a Baroque artist: his performance had verve!"
- Jonas Rohde, Göttinger Tabenblatt
Nathaniel Mander is one of the most exciting young harpsichordists to emerge on the scene in recent years. He graduated first class from the Royal Academy of Music and has since gone on to pursue an international career. He began his studies with Richard Lester before moving to London in 2009 to train with Carole Cerasi at the Royal Academy of Music. He is winner of the 10th Broadwood solo harpsichord competition (2011) and the Early Keyboard Ensemble Competition at Fenton House (2010).
His most important musical influences have been from Elisabeth Joyé, Skip Sempe, Pierre Hantai and most profoundly, Carole Cerasi, who has deeply influenced his physical sound and approach to the instrument.
Nathaniel gave his debut London recital for the British Harpsichord Society at Handel House in 2011 and his Wigmore Hall concerto debut in 2012.
"Real virtuosity... can be a given nowadays, but what can differentiate performers is their ability to go beyond that and to reveal their own, and the composer’s, musicality... Nathaniel Mander is about as far from the irritating ‘look-at-me’ antics of some performers as you can get..."
Andrew Benson-Wilson, London Festival of Baroque Music
Nathaniel is much in demand as a recitalist, continuo player and chamber musician throughout Europe and the United States. He has performed for radio and television and given recitals at the Wigmore Hall, King’s Place, the Purcell Room, Hampton Court Palace, the Handel House Museum, Fenton House, Finchcocks, the Cobbe Collection of Early Keyboards at Hatchlands, the Russell Collection in Edinburgh, St. Martin in the Fields, the Tudeley Festival, the International Handel Festival in Göttingen, the London Handel Festival, the Spitalfields Winter Festival, Raynham Hall, Restoration House, the Bach Steinitz festival, the London Festival of Baroque Music, the Queen’s Gallery, Buckingham Palace, the Stadspodia in Leiden, St.John's Smith Square, and the Royal Festival Hall. In 2014-16 Nathaniel held the Linda Hill Junior Fellowship in Harpsichord at the Royal College of Music.
"Nathaniel’s imaginative realisation... was a joy throughout... the palette of colours was extraordinary."
Nathaniel released his debut CD, The 18th century French salon, to considerable acclaim in 2015. He presently plays a Goujon 1749 replica harpsichord made by Andrew Garlick.